Concept albums are often tricky. If you don't have a strong concept the album doesn't seem to flow very well even if there happens to be superb musicianship. On the other hand, if you happen to have an incredible concept, but the music is lacking it doesn't make for a very enjoyable album either. Once in a blue moon a band actually gets it right from every angle imaginable. Jorn Lande has always been a force to be reckoned with in the world of heavy metal, often sounding like the bastard love child of Ronnie James Dio and David Coverdale. He has worked with several great projects such as Masterplan, Allen-Lande (which happened to be one of my favorite albums of the year in 2014), Beyond Twilight, and his solo project Jorn just to name a few. Trond Halter has not been in nearly as many projects, mainly on Jorn's Traveller album last year. The two make a fantastic duo however and have come up with what I feel is a concept, though very overused in books and movies, and has not really been touched as a heavy metal concept album. The story of Dracula is one that is immediately identifiable and is one that is extremely dark and sinister, which is also a spirit that heavy metal embodies. Before even listening we already see that we have incredible musicians and a concept everyone can relate to, now the only thing left is to see if they can execute it like everyone would expect.
“Hands of God” starts out with Jorn sounding as menacing as he always does while laying out the framework of the story. There really isn't much to it musically, but it is an excellent way to help people on their journey through the concept. Enough albums are labeled as a concept and don't really begin the story very well. Jorn and Trond are well on their way even in the introduction in portraying a storyline that can easily be followed.
If you are expecting this to sound like Jorn's solo album you actually may be a tad bit disappointed. Although there are some darker elements to it; it’s a pretty upbeat album. Swing of Death is actually an accurate title for the album and is very descriptive of the music. The title track is incredible, although a heavy metal song it has a bit of a swing element to it that kind of gives you the illusion that you're in a time centuries ago, dressed elegantly, and ballroom dancing with a beautiful maiden. There are some really nice female backing vocals in the song that accompanies Jorn's powerful voice and it fits very nicely. The title track is possibly my favorite track on the album and one I'd recommend listening to first.
“Masquerade Ball” continues with the elegant dance theme once again. This song lets you know just how amazing of a guitarist Trond Halter is. There is a lot of Spanish influenced flamenco guitar playing as well as some beautiful piano passages. It continues the story of Dracula's dark seduction very nicely and does a great job of carrying on Dracula's tale. Jorn still manages to sound dark yet emotional in this track and this begins to show just how impressive the album's production is top notch. You can hear every facet of the music quite crisply, which gives it a very grand and majestic sound.
“River of Tears” displays very nicely the communication between Dracula and the woman he is trying to seduce. The trading of vocal lines between Jorn and the female vocalist makes this song one of the most intense on the album. Trond's solos here are incredible. They are extremely clean, yet alert of a brooding sense of danger. This is probably musically the finest song on the album. The last two minutes of the track is pretty much all solo until the song kicks back in with the chorus, which is possibly the most memorable on the album as well. Into the Dark is another song very much like this, which makes me wish I actually knew who the female vocalist was, because she sounds amazing and is actually a surprise and another reason I'd greatly recommend owning this album.
The concept has a very powerful ending as well. “Under the Gun” has some really impressive vocal orchestration and the emotion to the song leads to an excellent climax of the story. The chorus here is superb, just like many of the others throughout the album. It concludes the love story between Dracula and his lady very nicely and portrays their passion for each other through vampirism almost perfectly. The fading out of guitar solos leads to a very nice ending of an extremely impressive album.
To be perfectly honest I was not a huge fan of Jorn's Traveller album and assumed this would be more of the same since it shares the two primary members. Drastically different from his solo project, Swing of Death is a rather eloquent concept that is pulled off almost flawlessly. The vocals are some of the best of Jorn's career, the backing vocals are an excellent touch, Trond's guitar playing shows that he also a force to be reckoned with, and the production of the album is very clear and crisp. I went into this album with low expectations and I have a feeling its already going to be top 10 material of 2015. I am giving it a 9.5 out of 10. I was thoroughly impressed far beyond I could have imagined.
Adam Phillips, HMS
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